Posts

Corrupted vs Pure

 So, what's stronger?  Corruption or Purity? A trope I've seen often is that a region gets corrupted, the heroes come in, they destroy the corruption, but there's always some 'seed' of corruption that gets overlooked, and it spreads, and you have to deal with it all over again (Fern Gully's an excellent example).  Or, you defeat the corruption, and someone carries it within them.  Or whatever. It's like ... you can't just have purity. There's always got to be something . Which makes it feel like corruption is stronger than purity. (Another trope is 'I've cast this zone of purity, but the corruption's too strong, I can't keep it up!') I want to see the flip side of this.  Proof that purity is more the 'natural state', and as such the natural state always wins out in the end.  Without having to use outside influence. A corrupt zone with the manifestation of purity someplace, that slowly drives out the corruption and overtake

Bad Classes go Good

I don't believe any given class should be inherently 'evil'. Sure, a majority of the people who take the class can be evil - I get that, but the class itself? Let me give you a pair of examples. 1) An Assassin. They only kill the corrupt and vile. They won't take a job to kill someone who doesn't deserve it, and they won't inflict 'collateral damage' (such as staff, guards, etc), unless it's in self-defence (and even then, prefers non-lethal methods). Their purpose is to ensure those who believe they're above justice face justice. They're doing the same thing hired adventurers might do, only with a lot less death involved. So, evil? 2) A Necromancer. They act as a go-between between the living and dead, act as a psychopomp, helping the dead find peace, eliminating undead, helping families grieve, and helping the ill or frail to pass on without pain. They're not raising undead, defiling graves, sucking the life force out of people, or an

Roleplay vs Storytelling

I'm going to begin with the following statement:  One is not inherently better than the other, they are simply different, and I have my preferences. This is not an attack on either style of RP, but just my thoughts on the subject matter. That out of the way, I like crunch. I like detail. I don't write games with a lot of crunch, because I'm casting a wide net - I want to write games that are easy for children and adults, and which allows you to put as much detail into the game as you want. The ASPS engine can be a streamlined, simple game with a focus on narrative play, or it can be resource heavy and detailed if that's your preference. The soon-t o- be-released Keepsakes (was Widdershins ) is incredibly simple, because it's supposed to be an all-ages game. But yeah. I want a game where poison is lethal, you need to keep track of that stuff and prepare for it. I want a game where if you're out in the wilderness, there's things like exposure , and you could

The (Not a) Wheelchair Problem

Because of a new RPG coming out that (if I recall) has a wheelchair available for PCs, the entire discussion about wheelchairs in a fantasy setting has come around again.  Here's my stance on it: It isn't a problem. People are making excuses, though.  Who'd want to adventure with someone in a wheelchair? How would they navigate dungeons?  Why do they even have wheelchairs, when magic can fix everything? Here's the thing. Not everyone has the ability to choose their course in life.  Not everybody has access to 'magic' that can fix everything.  And it's amazing what one can do with good friends who are willing to give them a hand. Dragonlance is a good example, in fact, with Raistlin.  Why didn't they dump his anemic ass and get a 'real wizard' to help them out?  They didn't.  Because he's a friend.  Oh, how about Charles Xavier of the X-Men.  You know there's skads of people in the Marvel Universe who could fix his legs - but he doesn&

Non-Generica

Greetings! Let's talk about world building. While the mechanics of an RPG are important ('how the world functions'), the world building -- the setting and all its moving pieces -- need to be just as solid for immersion. There are plenty of 'generic' RPGs out there (Tiny d6, GURPS, Fantasy Age, FATE, Savage Worlds, etc) which can lay out how the world functions through mechanics, but most such games lack when it comes to building the world you're going to be playing in. Then you have games which lay out a world, but it is perhaps the most vanilla world that you'll ever see -- there's nothing fresh and unique about it.  Or it's just shallow, and any differences are superficial. (Of course, Dungeons and Dragons is a huge example). So what makes a setting interesting? Here's a few things to consider: Culture -- what cultures exist? How do they interact? How long have they been there? Religion -- what pantheons exist? How do they interact? How do they

Magic and Technology

  Magic and Technology Don't Mix I've heard this many times, and I don't believe it. The conceit is that, since magic exists,  there's no reason for technology to advance. After all, magic does it better, does it easier, does it faster. Sure. Except that's not even remotely true. How much teaching does it take to get even a modicum of skill in magic? How much does it cost to get trained? Where do you need to go for that training? How many years to get good ? What are the restrictions on spell casting? Do you need to register to be a mage and be allowed to cast certain spells? How long to learn the proper spells? Sure. Developing certain technologies may take time, but the thing about technology is that it builds upon itself. And once something's been developed, it's not too hard to learn the foundations. For example? Steam technology existed in ancient Greece. They started doing all sorts of interesting things with steam. Given time and peace, who knows wher

Not so Mundane

One of the greatest books (in my opinion) to come out of 3.5 was the Tome of Battle (aka the Book of Nine Swords). In essence, it destroyed the idea that martial classes should be perfectly mundane, and put them solidly in line with the spell casters of similar level. If you were from one of the classes in the ToB, you were giving fighting techniques which allowed you to do more than go 'I hit it with my sword'. Because in most circumstances, regardless of how you describe a fighter, it all boils down to 'I hit it with my sword'. No amount of poetic license is going to give you any real benefits beyond, 'I roll to hit, I do damage'. ToB fixed that. You had stances, which did different things, and you had maneouvres, which augmented your attacks and gave you nifty things to do. This was sort-of brought over into 4e, and while I never played 4e, I could see the DNA of the ToB in it. The thing is, they didn't put it into 5e.  Not really.  And they really should